Writing

Criticism

MoMA’s When the World Broke Open: Katrina and Its Afterlives, The Brooklyn Rail

Recovering Suzanne Césaire’s Legacy, The Texas Observer

In ‘Red Rocket,’ Exploitation, Sex, and Solidarity on the Texas Gulf Coast, All My Dead Pitches Substack

Question as Action: On “Questions to Ask Before Your Bat Mitzvah,” Cleveland Review of Books

‘Forget the Alamo’ Unravels a Texas History Made of Myths, or Rather, Lies, The Texas Observer

The Western’s Long Glorification of Oppression, The Texas Observer

Liz Lambert’s New Film Offers a Shallow Portrayal of a Changing Austin, The Texas Observer

The Brooklyn Presence at SXSW, The Brooklyn Rail

‘Inflamed’ Shows How An Unjust World Is Making Us Sick, The Texas Observer

Naming Pauli Murray, Dissent Magazine

Textile Artist Diedrick Brackens Recasts Symbols of Life and Death in Texas, The Texas Observer

In ‘The Infinite Race,’ Indigenous Athletes Tell Their Own Stories, Texas Monthly

Texan Drag Queen Shangela Finds Drag Daughters in Small Towns in HBO’s ‘We’re Here,’ The Texas Observer

Reporting

‘The People’s Beach’ is a Queer Landmark That Deserves to Live On, The Indypendent

In New Orleans, Hospitality Workers Are Building Union Power, Life & Thyme

The SBOE’s Decision for Texas Schools to Teach Abstinence-Plus Sex Education, The Texas Observer

Erica Nix Is the Workout Queen of Quarantine, Texas Monthly

The Jewish South is Black, too, Scalawag Magazine

Fallout Continues Over Leander Library's Drag Story Hour, The Austin Chronicle

Essays

the sun was going to fall, Nicky’s Substack

On Being Queer in Civic Space, Artfag Magazine

Cracking Open a Pecan, Wesleying

Poetry

Bury This Under the Dish Pit, Lullaby Machine

Tough Love Letter from Barton Creek, Brooklyn Poets

Weight and Center, New Note Poetry